Popular dance forms in Christian worship a study of Lighthouse Chapel International Church, Ghana.

Abstract

This study explores the integration of popular dances into Ghanaian Christian worship, focusing specifically on charismatic congregations such as Lighthouse Chapel International. The research aims to identify and classify the popular dance forms in Christian worship, also to explore the motivations driving this integration, and understand how these practices influence the worship experiences within the church community. Utilising a qualitative phenomenological approach, data was collected through semi-structured interviews and participant observations conducted over a six-month period in two branches of Lighthouse Chapel International: Anagkazo Assemblies at Nyanyano-Kakraba and Bluerose at Budumburam. The findings reveal a high integration of Afro-Dance and Amapiano dances, which serve as personalised expressions of faith. Participants highlighted motivations such as personal expression and talent utilisation, community engagement, and the enhancement of worship experiences through dance. This integration facilitates inclusivity and generational connection within the church, although it also raises concerns regarding doctrinal integrity and appropriateness. The semiotic theory framework employed allows for an understanding of dance as a system of signs that communicates cultural, emotional, and spiritual messages in worship. Overall, this research presents perspectives into the relationship between tradition and modernity in Ghanaian Christian worship practices, emphasising the importance of thoughtful integration of popular dance forms in promoting engaging and inclusive worship experiences.