Abstract:
This study explores the integration of popular dances into Ghanaian Christian
worship, focusing specifically on charismatic congregations such as Lighthouse
Chapel International. The research aims to identify and classify the popular dance
forms in Christian worship, also to explore the motivations driving this integration,
and understand how these practices influence the worship experiences within the
church community. Utilising a qualitative phenomenological approach, data was
collected through semi-structured interviews and participant observations conducted
over a six-month period in two branches of Lighthouse Chapel International:
Anagkazo Assemblies at Nyanyano-Kakraba and Bluerose at Budumburam. The
findings reveal a high integration of Afro-Dance and Amapiano dances, which serve
as personalised expressions of faith. Participants highlighted motivations such as
personal expression and talent utilisation, community engagement, and the
enhancement of worship experiences through dance. This integration facilitates
inclusivity and generational connection within the church, although it also raises
concerns regarding doctrinal integrity and appropriateness. The semiotic theory
framework employed allows for an understanding of dance as a system of signs that
communicates cultural, emotional, and spiritual messages in worship. Overall, this
research presents perspectives into the relationship between tradition and modernity in
Ghanaian Christian worship practices, emphasising the importance of thoughtful
integration of popular dance forms in promoting engaging and inclusive worship
experiences.
Description:
Thesis in the Department of Theatre Arts,
School of Creative Arts, submitted to the School of
Graduate Studies in partial fulfilment
of the requirements for the award of the degree of
Master of Philosophy
(Theatre Arts)
in the University of Education, Winneba
DECEMBER, 2024
