Abstract:
This study investigates how diaspora-focused marketing strategies and narratives shape
Africa’s nation branding efforts, with particular emphasis on social media content and
initiatives such as Ghana’s Beyond the Return. It explores the types and formats of
content promoted, the strategic narratives guiding diaspora marketing, and audience
perspectives of the nation brand. Employing a qualitative case study design, the
research draws on online observation of Beyond the Return’s Instagram posts, key
expert interviews, qualitative survey responses, and secondary document analysis.
Guided by the social media communication mix, Anholt’s Nation Brand Hexagon, and
diaspora engagement ideas, the study proposes a conceptual framework linking
diaspora marketing to nation branding. Findings indicate that although the initiative has
increased visibility, cultural pride, and diasporic curiosity, its overall impact is limited
by event-oriented planning. Six dominant diaspora marketing strategies emerged:
reinforcement of cultural heritage and identity, promotion of diaspora investment and
philanthropy, use of celebrity and influencer endorsement, government and institutional
support, symbolic merchandising, and experiential events. These strategies blend
heritage with global aesthetics to construct a functional and emotionally resonant Ghana
nation brand narrative. The study concludes that African stakeholders must move
beyond symbolic, seasonal diaspora marketing towards long-term, inclusive
frameworks that encourage cultural immersion, structural reform, and diaspora coownership.
Such an approach would position the diaspora as active partners in cultural
preservation, socio-economic development, and global African solidarity. This research
contributes to discussions on how nations can reimagine identity, belonging, and
branding in transnational contexts and recommends adopting a co-creative diaspora
marketing framework that promotes year-round engagement, institutional
collaboration, and inclusive nation brand narratives.
Description:
A thesis in the Department of Strategic Communication,
School of Communication and Media Studies,
submitted to the School of Graduate Studies
in partial fulfilment of the requirements for the award of the degree of
Doctor of Philosophy
(Communication and Media Studies)
in the University of Education, Winneba.
JUNE, 2025