A history of Kumasi public sculptural art

Abstract

The main objective of this thesis was to document public sculptural art works in Kumasi in Ghana for posterity. A descriptive research method of qualitative approach was employed to compile, analyze, interpret and discuss the findings. Histories behind individual art works that were hidden or getting lost due to unawareness and generational gap were unpacked and documented. Art forms such as sculptures which were made to represent the oratory of the people were found at strategic locations such as the Okomfo Anokye roundabout in Kumasi. These public sculptural art forms represent past records and events, however only few people in the Ashanti Region could associate their history with the art form that represent them. It was also observed that there seem to be a disconnect between art historians and artists – collaboration in the promotions and preservation of art is an issue. It is recommended that historians and artists should not see themselves as different people but should work together to promote and preserve art in Ghana. Also, educators at the various tourist centres in the region should use artefacts in telling the history of the Asantes and other stories to tourists.