This study examines the potential of Klama songs as educational resources in Ghanaian
primary schools, particularly in the Prampram community. The research addresses the
gap in utilizing indigenous musical forms like Klama in pedagogical practices, aiming
to promote culturally responsive pedagogy. A qualitative research approach was
employed, using a case study design. Twenty Klama songs were collected, and 10 were
sampled for analysis. Data were collected using observation and interviews, which were
then analyzed using thematic analysis. The findings reveal that Klama songs promote
cultural preservation, improve student engagement, and enhance understanding of local
contexts. The study argues that Klama songs are valuable teaching resources for
Ghanaian basic schools. The research culminated in developing a practical
methodology for teachers, providing guidelines on effectively incorporating Klama
songs into their lessons. It was recommended that educators utilize Klama songs to
promote culturally responsive pedagogy. Further research is suggested to investigate
the impact of Klama songs on student learning outcomes and explore their potential in
promoting cultural heritage and social cohesion.
Description:
A thesis submitted to the school of graduate studies in
partial fulfilment of the requirement for the award of
the degree of Master of Philosophy
(Music Education)
Department of Music Education
School of Creative Arts
JANUARY, 2025