Abstract:
Portraiture in Ghana has been dominated by men. Many monuments in Ghana have
been erected by male sculptors which is painting a picture that females do not make
portrait sculptures, this is why the researcher intended to find out whether there are
practicing female sculptors in Ghana, and if there are why they are not commissioned
to make monumental portraits in the Country. The main objective of the study was to
identify practicing female portrait and figurative sculptors in Ghana, analyse their
works and find out how their works are documented. Qualitative method of research
was used and the research design was case study. Six female portrait and figurative
sculptors constituted the sample size and the sampling techniques were purposive and
snowballing. Semi structured interview and personal observation were the data
collection instruments used for this study. Thematic and visual analysis were used to
analyse the qualitative data. The study revealed that although there are some Ghanaian
female sculptors practicing portraiture, most of them are unable to combine portraiture
as a profession and domestic activities. Secondly, most of them are in the academia
making the practice of portraiture a part time business. Again, the study revealed that,
females who choose sculpture as their elective course in their first years in the
universities are low as compared to the males. The researcher concluded that, it will not
be appropriate to give a strict definition of who a portrait artist is, since the scope of
portraiture expands beyond representation of physical looks of an individual because
installations and conceptual art are classified as portraits once they talk about a
particular individual. It was recommended that female Visual Art students should be
encouraged to pursue sculpture and subsequently portraiture. Again, she suggested that
practicing female portrait sculptors and their works should be documented and placed
in educational institutions that offer sculpture, Libraries, Centres for National Culture
and Museums and Monuments Board to serve as educational resources and advert for
people who may need their services.
Description:
A thesis in the Department of Music Education,
School of Creative Arts, submitted to the School of Graduate
Studies, in partial fulfilment
of the requirements for award of the degree of
Master of Philosophy
(Arts and Culture)
in the University of Education, Winneba