Scrap metal art an instrument for promoting environmental sanitation

Abstract

The focus of this studio-based study was to transform scrap metals into aesthetic masterpieces of art. It was premised on the assumption that the intuitive technique of working with scrap metal art provides the freedom and flexibility to exercise creative expressions on a three dimensional level of art. Moreover, our environment can be enhanced and saved from untidiness and destitution through different efforts, one of which the artist can contribute his/her quota creatively to transform the discards into a new forms of aesthetic values. Even though scrap metal art is widely known and practiced by a large number of artists around the world, in Ghana much has not been seen. The study commenced with the study and assessment of the scrap metal situation and possible environmental hazards or risks in the Sekondi/Takoradi metropolis. Structured questionnaires, interviews and observation were used to gather data using qualitative research approach. It employed descriptive methods of research data collection from artists, metalworkers/craftsmen, scrap metal collectors, scrap dealers, the Sekondi/Takoradi Metropolitan Assembly and Environmental Protection Agency for its execution and analysis of the results. The questionnaire sheets and interviews were carefully scored and transferred for analysis. The total number of sampled participants was 100. Questionnaires were administered on 65% of the respondents. The remaining Thirty-five were interviewed. The descriptive method was used to discuss the activities on scrap metals. To produce and document scrap metal art the researcher chose the studio-based research approach where aesthetico-action method was employed for techniques and procedures of executing scrap metal art. The outcome of the study on the nature of scrap metals in Sekondi/Takoradi indicated that its trade serves as livelihood opportunities for people with less educational background. The economic benefit from scrap metal trade was found to be satisfactory among its traders in its suburbs of Sekondi/Takoradi metropolis. Moreover, knowledge and education on health hazards and environmental pollution were found to be lacking in those engaged in the activity of scrap metal trade. Having identified the aesthetic qualities of scrap metals, therefore, a piece of sculpture was created with scrap metals as means of establishing the viability of the materials as potential material for creation of sculpture. This was also to demonstrate how scrap metal art could serve as a means of controlling the dangers posed by scrap metals in the environment. In other words, transforming dangers into beauty. Based on the outcome of the study, it was recommended that handling of scrap metal situation in the Sekondi/Takoradi metropolis should not be left solely in the hands of metal traders. With the ongoing diversification in aesthetic sensibilities and creativity, Ghanaian sculptors need to direct their attention to scrap metals as alternative materials for their work.