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<title>Masters</title>
<link>http://41.74.91.244:8080/handle/123456789/633</link>
<description/>
<pubDate>Thu, 16 Apr 2026 22:12:29 GMT</pubDate>
<dc:date>2026-04-16T22:12:29Z</dc:date>
<item>
<title>AKANFOϽ ADESIEDEƐ MU MPℇNSℇMPℇNSℇMU</title>
<link>http://41.74.91.244:8080/handle/123456789/5184</link>
<description>AKANFOϽ ADESIEDEƐ MU MPℇNSℇMPℇNSℇMU
Frimpong-Manson, H
Dwuma yi yε nhwehwεmu a εyɛ adesua a ɛfa amanneɛ a ɛwͻ Asantefoɔ amammerɛ no mu&#13;
baako a ɛyɛ ayiyɛ. Nhwehwɛmu yi twe adwene si nneɛma a Akanfoͻ de yɛ adesiedeɛ ne&#13;
sɛnti a wͻde saa nneɛma no yɛ adesiedeɛ, ɛnne nsakraeɛ a aba kane adesiedeɛ ne ɛnnɛ&#13;
mmerɛ yi mu adesiedeɛ nneɛma mu. Mede sukyerε anaa nhwehwεmu akwankyerɛ a&#13;
εnnyina akontabudeε so na εyεε nhwehwεmu yi. Mefaa nnipa aduasa (30) na mede dii&#13;
dwuma yi na nhwehwɛmu yi kɔɔ so wɔ Asante Mantam nkuro ahodoͻ a ɛyɛ Ꜫfiduase,&#13;
Asͻkͻre, Dwaben ne Asukͻkͻͻ a ne nyinaa wͻ Sɛkyerɛ Apueeɛ Mansini mu. Mefaa&#13;
anototoɔ anaa nkↄmmↄtwetwee kwan nko ara so na menyaa nsεmmoano a mede dii dwuma&#13;
yi. Dwumadie yi mpεnsεmpεnsεmu nyinaa gyinaa ‘Saussure (1983) adwenemusɛm&#13;
“Semiotics” so. Deɛ ɛbɛdaa adi wɔ adwuma yi mu ne sɛ, Akanman mu sɛ onipa bi wu a,&#13;
na ɔnwuiiɛ, na mmom wɔwɔ gyidie sɛ ɔrekɔ kuro foforɔ so a wɔfrɛ no Asamando a&#13;
nananom adi kan wɔ hɔ na ɛte sɛ ɔman a deɛ yɛyɛ no wɔ asase yi so no, saa ara pɛpɛɛpɛ na&#13;
wɔyɛ no hɔ. Ne saa nti no, nneɛma a yɛhia no wɔ asase yi so no, owufoɔ a yɛregya no kwan&#13;
nso hia saa nneɛma yi na ɔde akɔtoa n’abrabɔ so. Ꜫnam wei so nti na Akanfoͻ de nneɛma&#13;
bi te sɛ sapͻ, samina, toobɛtɛ, towuro, ankaatwadeɛ, bͻbrapa bokiti, nkuto, pawoda ne deɛ&#13;
ɛkeka ho dware owufoͻ bi no na amma wamfa sɛbe honam a nka wͻ mu ankͻpue Nananom&#13;
anim. Bio, ɛbɛtͻͻ dwa wͻ nhwehwɛmu yi mu sɛ, Akanfoͻ nneɛma bi te sɛ sika, pɛtia, duku,&#13;
ntoma, hyenaapo, bommo, ne deɛ ɛkeka ho gya owufoͻ bi kwan na wanya bi ada so de bi&#13;
akͻbͻ n’amanneɛ wͻ Nananom anim. Ne korakora no, ɛdaa adi wͻ nhwehwɛmu yi mu sɛ,&#13;
nneɛma a kane no na Akanfoͻ de yɛ adesiedeɛ no nsakraeɛ pii aba mu a deɛ ɛdi akotene&#13;
wͻ mu ne sikasɛm ne akansie a aba adesiedeɛ mu no. Dwumadie yi bεboa akenkanfoɔ ama&#13;
wɔahunu Akanfoↄ amammerε a ɛfa adesiededɛ ho, nkanka ne mmabunu no. Wɔbɛhunu&#13;
nsakraeɛ a aba kane Akanfoͻ adesiedeɛ nneɛma ne nnɛ mmerɛ yi deɛ mu.
Nhwehwɛmu dwumadie a ɛfiri Akan-Nzema, Faculty of Ghanaian Languages Education,&#13;
de kↄma School of Graduate Studies,&#13;
nam so ma manya abodin krataa&#13;
Master of Philosophy&#13;
(Ghanaian Language Studies-Twi)&#13;
afiri University of Education, Winneba.&#13;
OBUBUO, 2024
</description>
<pubDate>Mon, 01 Jul 2024 00:00:00 GMT</pubDate>
<guid isPermaLink="false">http://41.74.91.244:8080/handle/123456789/5184</guid>
<dc:date>2024-07-01T00:00:00Z</dc:date>
</item>
<item>
<title>Adolescent motherhood and its support systems at the Bawjiase Senior High School</title>
<link>http://41.74.91.244:8080/handle/123456789/5183</link>
<description>Adolescent motherhood and its support systems at the Bawjiase Senior High School
Welbeck Jnr., D.
The study explored the experiences of adolescent student mothers at Bawjiase Senior&#13;
High School in the Central Region of Ghana. Using purposive and snowballing&#13;
sampling technique, twelve teenage student mothers, five teachers, and five parents&#13;
were sampled for the study. Data was collected using interviews guide and data&#13;
collected was thematically analysed. The study findings highlight the absence of&#13;
comprehensive sex education, economic pressure, negative peer influence, negative&#13;
cultural norms, indecent exposure to social media and mental health issues as some of&#13;
the factors contributing to adolescent pregnancy. Based on the research results, it was&#13;
suggested that the provision of counselling, accommodation for teachers to help easy&#13;
monitoring of students in the boarding house, peer support networks, stream-lined readmission&#13;
processes and family collaboration to minimize the effect on adolescent&#13;
mothers. It is suggested that Ghana Education Service through the heads of institution&#13;
implement comprehensive sex education programs and use flexible timetable to make&#13;
room for student mothers. Moreover, Non-Governmental organisations should&#13;
collaborate with the Ministry of Education and The Girl Child Education of the&#13;
Ghana Education Service to establish external support systems that provide the&#13;
necessary assistance to adolescent mothers who return to school after child birth.
A thesis in the Department of Social Studies Education,&#13;
Faculty of Social Science Education, submitted to the&#13;
School of Graduate Studies, in partial fulfilment&#13;
of the requirement for award of degree&#13;
Master of Philosophy&#13;
(Social Studies)&#13;
University of Education, Winneba&#13;
JUNE, 2025
</description>
<pubDate>Sun, 01 Jun 2025 00:00:00 GMT</pubDate>
<guid isPermaLink="false">http://41.74.91.244:8080/handle/123456789/5183</guid>
<dc:date>2025-06-01T00:00:00Z</dc:date>
</item>
<item>
<title>A visual analysis of works of some selected Ghanaian Art Educators</title>
<link>http://41.74.91.244:8080/handle/123456789/5182</link>
<description>A visual analysis of works of some selected Ghanaian Art Educators
Ezuame, M.M.
Although art is widely studied as a discipline, limited scholarly attention has been given&#13;
to art educators, particularly within Ghanaian higher education institutions. This gap is&#13;
important in the context of ongoing curriculum reforms that emphasize creativity,&#13;
critical thinking, and engagement with Ghanaian society and culture. Art educators play&#13;
a crucial role in training future artists, teachers, and cultural practitioners by promoting&#13;
critical inquiry, cultural awareness, and professional competence beyond technical&#13;
instruction. This study examines the pedagogical practices, artistic work, and&#13;
professional experiences of Ghanaian art educators to understand how curricular goals&#13;
are interpreted and implemented despite persistent challenges in art education. Using a&#13;
qualitative approach based on narrative research design and content analysis, the study&#13;
draws on interviews and observations involving seven art educators from three tertiary&#13;
institutions in Ghana. Findings reveal that art educators adopt personal and instructional&#13;
strategies that stimulate creativity, encourage cultural self-expression, and develop&#13;
students’ technical and critical abilities. Despite heavy academic responsibilities, they&#13;
remain active in research, professional development, and creative practice, contributing&#13;
to curriculum reform and pedagogical advancement. Their artistic works engage with&#13;
social, cultural, political, and environmental issues while promoting African identity.&#13;
The study concludes that recognizing art educators as both artists and teachers is&#13;
essential for strengthening art education and shaping contemporary Ghanaian art within&#13;
global contexts.
A thesis submitted to the School of Graduate Studies in partial&#13;
fulfillment of the requirements for the award of the degree of&#13;
Master of Philosophy&#13;
(Art Education)&#13;
Department of Art Education&#13;
School of Creative Arts&#13;
DECEMBER, 2024
</description>
<pubDate>Sun, 01 Dec 2024 00:00:00 GMT</pubDate>
<guid isPermaLink="false">http://41.74.91.244:8080/handle/123456789/5182</guid>
<dc:date>2024-12-01T00:00:00Z</dc:date>
</item>
<item>
<title>A textual interpretation of Sisaala Bayira performance</title>
<link>http://41.74.91.244:8080/handle/123456789/5181</link>
<description>A textual interpretation of Sisaala Bayira performance
Seidu, A.
This thesis is based on an ethnographic study of the Sisaala Bayira performance in&#13;
context. The research was conducted in the Sisaala East and West, the north eastern&#13;
and western parts of Ghana. The data was gathered through fieldwork on live Bayira&#13;
performances during funerals in Walembelle, Tumu and Gwollu using observation&#13;
and interviews as the main research tools. The main purpose of the study was an&#13;
exploration of the historical context and aesthetic features embedded in Bayira&#13;
performances. These have literary significance and make meaningful contributions to&#13;
the development of African orature. The theories which backed the study are&#13;
Tedlock’s and Schechner’s Performance Theories. Bayira performances were&#13;
captured by audio visual recordings which were then translated from Sisaali into&#13;
English using Newmark’s (1988) Theoretical ideas on translation. They were coded&#13;
and used for critical analysis. The results revealed that Bayira performances are&#13;
embedded with aesthetic and symbolic representations whereby Bayira performers&#13;
use figurative language, histrionic gestures and other paralinguistic features as&#13;
effective performance skills. The art of Bayira performance is tantamount to warfare&#13;
whereby performers use pithy expressions; demonstrate panegyric skills, exhortation,&#13;
and admonition and trade in diatribes. The use of symbols brings realism into the art&#13;
of Bayira performance. Bayira performance has several pedagogical implications&#13;
apart from moral lessons. Bayira songs teach communal and traditional values and&#13;
comment on issues affecting the community and individuals in society. They teach&#13;
people extended knowledge and wisdom by praising good behaviour and condemning&#13;
unacceptable acts which are inimical to society
A thesis in the Department of English Education,&#13;
Faculty of Foreign Languages Education submitted to the&#13;
School of Graduate Studies in partial fulfillment of&#13;
the requirements for the award of a degree of&#13;
Master of Philosophy&#13;
(English Education)&#13;
in the University of Education, Winneba&#13;
OCTOBER, 2025
</description>
<pubDate>Wed, 01 Oct 2025 00:00:00 GMT</pubDate>
<guid isPermaLink="false">http://41.74.91.244:8080/handle/123456789/5181</guid>
<dc:date>2025-10-01T00:00:00Z</dc:date>
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