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<title>Doctoral</title>
<link>http://41.74.91.244:8080/handle/123456789/632</link>
<description/>
<pubDate>Tue, 23 Jun 2026 03:04:39 GMT</pubDate>
<dc:date>2026-06-23T03:04:39Z</dc:date>
<item>
<title>Designing Ga traditional dress-fashion-inspired contemporary occasional feminine wear Temamei Ashin Yei in focus</title>
<link>http://41.74.91.244:8080/handle/123456789/5291</link>
<description>Designing Ga traditional dress-fashion-inspired contemporary occasional feminine wear Temamei Ashin Yei in focus
Damalie, S.A.
This thesis was motivated by the appreciation and application of ancestral knowledge,&#13;
competencies and values of dress. It engendered inclusivity by the use of findings&#13;
from an understudied ethnic women‘s dress cultural practices of the Ga speaking&#13;
people of Tema Manhean in the Greater Accra region of Ghana as an inspiration to&#13;
influence a collection of contemporary feminine occasional wear. The project adopted&#13;
a qualitative approach, using descriptive and studio-based research designs&#13;
respectively. The population for the study was made up of human and non-human&#13;
subjects, which sample size consisted of sixteen (16) Ashin Yoo artefacts, twenty (20)&#13;
designs in the collection produced, and fifty-four (54) non-indigenes and fifty (23)&#13;
indigenes interviewees respectively. Thematic, visual content, and trend analysis were&#13;
used in analysing the data. The studio-work was premised on the synthesis model&#13;
developed as a result of the project. Haute couture approach was adopted for&#13;
production using distinct, conventional and non-conventional materials. The twenty&#13;
(20) softly-tailored dressy, made-to-measure wardrobe made befit elegant yet relaxed&#13;
semi-formal and formal occasions which call for a blend of exquisite tradition with&#13;
style for the culturally-inclined fashion innovator as the customer profiled. Expert&#13;
purposive technique was used in sampling the accessible population due to the nature&#13;
of the multi-phased study. Observation, and interview were among instruments used&#13;
for data collection. The major dress cultural practices of Temamei Ashin Yoo&#13;
remained four consistent with literature. Symbolically, the nobility rite maidens used&#13;
the themed artefacts to express their feminine identity, communicate the various&#13;
stages and levels of purification, status and allegiance to their society. In addition, the&#13;
staples adopted as dress cultural practices were of symbolic spiritual and physical&#13;
protection. However, there was evidence of value addition to their repertoire of fabrics&#13;
adoption during Kpojiemↄ and Kpojei (post purification outing stages) respectively.&#13;
There were indications of the use of Kusum as curriculum which impacted the&#13;
grooming of the Ashin (nobility rite) maidens from socio-cultural relevance point of&#13;
view. The twenty suits and separates F↋OOYↃↃ (‗gorgeous-you-are‘) collection&#13;
created and exhibited was highly rated; seventy-six of the seventy-seven interviewees&#13;
representing 98.7% acknowledged that the sensational collection created had helped&#13;
in achieving the main goal of the project. Even in the face of many constants, there&#13;
was ample empirical evidence of new findings in fabrics adopted by the maidens&#13;
updating existing literature. The F↋OOYↃↃ (‗gorgeous-you-are‘) collection was&#13;
catalogued and recommended to be used for teaching and learning of conceptual dress&#13;
fashion trends in fashion institutions of higher learning.
A thesis in the Centre for Research, Culture and Creative Arts (CeRCCA),&#13;
School of Creative Arts, submitted to the School of&#13;
Graduate Studies in partial fulfilment&#13;
of the requirements for the award of the degree of&#13;
Doctor of Philosophy&#13;
(Arts and Culture, Dress Fashion Design Education)&#13;
in the University of Education, Winneba&#13;
DECEMBER, 2024
</description>
<pubDate>Sun, 01 Dec 2024 00:00:00 GMT</pubDate>
<guid isPermaLink="false">http://41.74.91.244:8080/handle/123456789/5291</guid>
<dc:date>2024-12-01T00:00:00Z</dc:date>
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<item>
<title>Conceptualisation and production of culturally inspired 3-dimensional animation a footpath for enhanced awareness creation of Malaria prevention in Effutu communities</title>
<link>http://41.74.91.244:8080/handle/123456789/5287</link>
<description>Conceptualisation and production of culturally inspired 3-dimensional animation a footpath for enhanced awareness creation of Malaria prevention in Effutu communities
Akyiaw, S.
Malaria has been a menace of a health condition to human beings for more than&#13;
seven decades. People in Africa, Asia and the America suffer the most. The aim of the&#13;
study is to use animations to create awareness on the prevention of Malaria in Effutu&#13;
Communities in the Central Region of Ghana. The study is qualitative and adopted Art-&#13;
Based Research as the design. The AIDA Model and Cognitive Theory of Multimedia&#13;
Learning underpin the theoretical frameworks for the study. Purposive and convenience&#13;
sampling techniques were employed to select the participants for the study. The data&#13;
collection instruments were interviews, observation and visual research (drawings and&#13;
photographs). The study revealed that the use of culturally-inspired 3D animation as an&#13;
aid for Malaria education is vital and efficient since it helps with easy understanding&#13;
and complements what the traditional media channels (posters, flyers, TV ads and radio&#13;
ads, and face-to-face) also communicate to people in the Effutu communities. The study&#13;
further revealed that health officers appreciate the introduction of the use of culturallyinspired&#13;
3D animation for Malaria education because it makes it enhances&#13;
understanding. The familiar environment, local name of the main protagonist and&#13;
original local background sound added to igniting the interest shown in the animation&#13;
by the participants. The study concludes that the inclusion of culturally-inspired 3D&#13;
animation for Malaria health education adds to multiple presentations of dissemination&#13;
of information and it underscores the necessity of aligning material design with both&#13;
cognitive load management and cultural relevance. The study recommends that&#13;
indigenous language integration should be strengthened through the development of&#13;
standardized Malaria prevention terminology in Fante and other relevant indigenous&#13;
languages to ensure consistency across all health education materials. The outcome of&#13;
the study demonstrates the effectiveness of culturally-inspired 3D animation as an aid&#13;
to preventing and controlling Malaria in Effutu Communities in the Central Region of&#13;
Ghana.
A thesis in the Centre for Research in Culture and Creative Arts,&#13;
School of Creative Arts, submitted to the School of Graduate&#13;
Studies, in partial fulfilment&#13;
Of the requirements for the award of the degree of&#13;
Doctor of Philosophy&#13;
(Arts and Culture)&#13;
In the University of Education, Winneba&#13;
MAY, 2025
</description>
<pubDate>Thu, 01 May 2025 00:00:00 GMT</pubDate>
<guid isPermaLink="false">http://41.74.91.244:8080/handle/123456789/5287</guid>
<dc:date>2025-05-01T00:00:00Z</dc:date>
</item>
<item>
<title>Career progression of women in leadership positions in the technical universities challenges and opportunities</title>
<link>http://41.74.91.244:8080/handle/123456789/5284</link>
<description>Career progression of women in leadership positions in the technical universities challenges and opportunities
Benson, Mary
This study explored the career progression of women occupying leadership positions&#13;
within the Technical Universities in Ghana. Grounded in the interpretivist research&#13;
paradigm, the study adopted a hermeneutic phenomenological design within a&#13;
qualitative framework. Data were collected from twelve female leaders across&#13;
selected Technical Universities in the Southern part of Ghana using a maximum&#13;
variation sampling strategy to ensure diversity of perspectives. Semi-structured&#13;
interviews were employed to elicit in-depth accounts of participants’ lived&#13;
experiences. The data obtained was analysed using thematic analysis. The study&#13;
revealed that few women occupy key strategic leadership roles in Technical&#13;
Universities in the Southern part of Ghana; however, those who have achieved notable&#13;
progress, adopted varied leadership styles, and actively pursued career growth,&#13;
breaking traditional norms and motivating future female leaders. Also, women's&#13;
career advancement in technical universities was driven by teamwork, positive&#13;
attitudes, mentorship, networking, Organisational support, continuous learning,&#13;
personal and religious values, as well as cultural awareness. Nonetheless, aspiring&#13;
women leaders faced obstacles such as Organisational, cultural, and societal barriers,&#13;
gender discrimination and resistance from peers. Despite these challenges,&#13;
opportunities existed in the form of paid study leave, external partnerships,&#13;
technological advancements, diversity and inclusion initiatives. The study also found&#13;
that even after attaining leadership roles, women continued to experience gender bias,&#13;
structural challenges, work-life balance difficulties, and cultural pressures. Based on&#13;
the findings, the study concludes that meaningful progress in gender equity within&#13;
technical university leadership hinges not merely on opportunity but on the&#13;
institutionalization of inclusive cultures that recognize and actively dismantle&#13;
structural and societal barriers. The study recommends that technical universities&#13;
intensify gender-inclusive policies, mentorship programmes, and Organisational&#13;
support to sustain and enhance women's leadership progression to overcome&#13;
persistent structural and cultural barriers.
A thesis in the Department of Educational Administration and&#13;
Management, School of Education and Lifelong Learning, submitted to the&#13;
School of Graduate Studies in partial fulfillment&#13;
of the requirements for the award of the degree of&#13;
Doctor of Philosophy&#13;
(Educational Leadership)&#13;
in the University of Education, Winneba&#13;
JUNE, 2025
</description>
<pubDate>Sun, 01 Jun 2025 00:00:00 GMT</pubDate>
<guid isPermaLink="false">http://41.74.91.244:8080/handle/123456789/5284</guid>
<dc:date>2025-06-01T00:00:00Z</dc:date>
</item>
<item>
<title>Building the capacity of indigenous textile companies for competitiveness in a liberalized Ghanaian market</title>
<link>http://41.74.91.244:8080/handle/123456789/5282</link>
<description>Building the capacity of indigenous textile companies for competitiveness in a liberalized Ghanaian market
Lartey, R.L.
This study examines the competitiveness and performance of indigenous textile&#13;
companies in Ghana, focusing on the challenges they face in a liberalized trade&#13;
environment. Despite the textile industry's vital role in economic development,&#13;
particularly in job creation and poverty reduction, Ghana’s indigenous textile sector&#13;
has experienced a sharp decline. Trade liberalization has exposed local firms to&#13;
intense competition from low-cost imports, particularly from China, resulting in the&#13;
closure of many local businesses and a loss of market share. The study examines the&#13;
capacity-building needs of these firms, highlighting issues including outdated&#13;
technology, limited access to raw materials, inadequate infrastructure, and workforce&#13;
skill gaps. It also assesses how these challenges affect employee well-being. Using&#13;
multiple case studies and descriptive observational methods, the research gathers&#13;
data to draw conclusions and recommend strategies for industry recovery. The&#13;
approach is based on a phenomenological perspective within qualitative research.&#13;
The case study design is ideal because it enables an in-depth understanding of&#13;
Ghana’s indigenous textile industry, given the numerous historical, economic, and&#13;
socio-political challenges it faces. Data collection involved face-to-face interviews,&#13;
document reviews, and observations, providing comprehensive triangulation and&#13;
verification of findings. This design supports multiple perspectives and explanations,&#13;
highlighting how factors like human capital development, organizational culture,&#13;
absorptive capacity, and external market forces influence competitiveness. A&#13;
combination of purposive and stratified sampling techniques was used. Data were&#13;
analysed descriptively and organized into themes, which helped identify, interpret,&#13;
and understand patterns of meaning within the data. The thematic analysis offered&#13;
rich insights into the performance, challenges, and capacity needs of Ghana’s&#13;
indigenous textile companies. The study examines trade liberalization, its impact on&#13;
performance and competitiveness in Ghana’s textile industry, its effects on employee&#13;
well-being, and trade policies in developing countries. By reviewing the industry’s&#13;
strengths, weaknesses, and capacity gaps, the study proposes a capacity-building&#13;
framework to enhance competitiveness and sustainability. Key recommendations&#13;
include technological upgrades, workforce development, improved supply chain&#13;
management, and policy reforms to provide targeted support. Lastly, the study&#13;
highlights the importance of collaboration among industry stakeholders,&#13;
policymakers, and international partners to revitalize Ghana’s indigenous textile&#13;
sector and ensure its long-term growth and contribution to the national economy.
A thesis submitted to the School of Graduate Studies in&#13;
partial fulfilment of the requirement for the award of&#13;
the degree of Doctor of Philosophy&#13;
(Art and Culture)&#13;
Department of Music Education&#13;
School of Creative Arts&#13;
UNIVERSITY OF EDUCATION, WINNEBA&#13;
JUNE, 2025
</description>
<pubDate>Sun, 01 Jun 2025 00:00:00 GMT</pubDate>
<guid isPermaLink="false">http://41.74.91.244:8080/handle/123456789/5282</guid>
<dc:date>2025-06-01T00:00:00Z</dc:date>
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