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<title>Doctoral</title>
<link href="http://41.74.91.244:8080/handle/123456789/632" rel="alternate"/>
<subtitle/>
<id>http://41.74.91.244:8080/handle/123456789/632</id>
<updated>2026-05-12T15:34:56Z</updated>
<dc:date>2026-05-12T15:34:56Z</dc:date>
<entry>
<title>Development of conceptual website design model for University of Education, Winneba, Ghana</title>
<link href="http://41.74.91.244:8080/handle/123456789/5226" rel="alternate"/>
<author>
<name>Opoku, N.</name>
</author>
<id>http://41.74.91.244:8080/handle/123456789/5226</id>
<updated>2026-05-12T13:06:14Z</updated>
<published>2025-06-01T00:00:00Z</published>
<summary type="text">Development of conceptual website design model for University of Education, Winneba, Ghana
Opoku, N.
University’s website functions as a virtual front door that serves as a critical point of&#13;
interaction for students, prospective students, alumni, faculty, and the global academic&#13;
community. Beyond providing information to its community, a university website&#13;
reflects the institution’s identity and a strategic asset for communication. As the first&#13;
point of contact for many prospective students and stakeholders, the design, development&#13;
and functionality of a university website plays a crucial role in shaping perceptions about&#13;
the institution and influencing decision-making. Despite the increasing reliance on&#13;
platform for communication, preliminary investigation suggests that many Ghanaian&#13;
university websites failed usability test and lack modern design standards. Again, there is&#13;
no conceptual model that guide the design and development of university website. Hence,&#13;
the study focused on developing a conceptual model that outlines the essential&#13;
components of effective university website design and test it in the development of&#13;
prototype website for the University of Education, Winneba. The study employed&#13;
qualitative descriptive design to describe the experiences of users when interacting with&#13;
university website and provide a snapshot of the existing selected universities websites.&#13;
Again, a studio-based research designs was used to produce a prototype UEW website&#13;
through creative design processes. The research employed the purposive and convenience&#13;
sampling techniques with a total sample of six websites, two experts and fourteen (14)&#13;
participants from selected Ghanaian universities. Observations, focus group discussions&#13;
and interviews were used for data collection. Thematic, visual, and content analysis were&#13;
employed to analyse data from the field. Findings from the study revealed that many&#13;
selected Ghanaian universities’ websites fall short in structure, content, accessibility, and&#13;
modern digital standards. It emerged from the study that many users experience “click&#13;
fatigue” when locating basic information on university website. Users reported search&#13;
functionality failures, by returning zero results for programme specific information such&#13;
as courses description on the university web. The study concluded that the conceptual&#13;
model developed has proven to be a robust and effective framework for guiding the&#13;
creation of functional and user-centred university websites. The application of the model&#13;
was used in developing UniSite WordPress theme and further used to develop a prototype&#13;
UEW website demonstrated its practical relevance and adaptability. The study&#13;
recommends the adoption of the proposed conceptual model as a standard guideline for&#13;
designing Ghanaian university website. Again, web designers and developers should&#13;
adopt the UniSite WordPress theme for designing university website to reduce time and&#13;
resources required to design, develop, deploy and maintain the university website due to&#13;
its functionality and user-friendliness.
A thesis in the Centre for Research in Culture and Creative Arts, The School of Creative&#13;
Arts, submitted to School of Graduate Studies in partial fulfillment&#13;
of the requirements for the award of the degree of&#13;
Doctor of Philosophy&#13;
(Arts and Culture)&#13;
in the University of Education, Winneba.&#13;
JUNE, 2025
</summary>
<dc:date>2025-06-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>Comparative effect of collaborative peer and video-based microteaching models on selected female preservice teachers’ science teaching efficacy</title>
<link href="http://41.74.91.244:8080/handle/123456789/5221" rel="alternate"/>
<author>
<name>Awortwe, L.</name>
</author>
<id>http://41.74.91.244:8080/handle/123456789/5221</id>
<updated>2026-05-12T10:57:45Z</updated>
<published>2025-08-01T00:00:00Z</published>
<summary type="text">Comparative effect of collaborative peer and video-based microteaching models on selected female preservice teachers’ science teaching efficacy
Awortwe, L.
microteaching models in enhancing the science teaching efficacy of selected&#13;
Ghanaian female preservice teachers. A comparative research design with purposive&#13;
(criterion-based) sampling was used to select two intact classes comprising fifty-six&#13;
(56) second-year Early Grade preservice teachers from the Presbyterian Women’s&#13;
College of Education, Aburi. Participants were assigned to two treatment groups:&#13;
collaborative peer microteaching and video-based microteaching, with twenty-eight&#13;
(28) participants in each group. Over a period of six weeks, participants engaged in&#13;
their respective microteaching sessions. Data was collected using the Science&#13;
Teaching Efficacy Beliefs Instrument (STEBI-B), the Perception of the Collaborative&#13;
Peer Microteaching Model (PCPM) questionnaire, and a focus group interview. The&#13;
STEBI-B was administered as a pre-intervention and post-intervention assessment to&#13;
measure science teaching efficacy before and after the interventions. Paired-sample ttests&#13;
showed significant improvements in STEBI-B scores for both the collaborative&#13;
peer group (t(27) = −3.167, p = 0.004 &lt; .05) and the video-based group (t(27) =&#13;
−7.906, p = 0.000 &lt; .05), with the larger t-value indicating that the video-based&#13;
microteaching model was comparatively more effective. An analysis of covariance&#13;
(ANCOVA) further confirmed that when the collaborative peer and video-based&#13;
microteaching groups’ pre-intervention STEBI-B assessments are controlled, the&#13;
video-based microteaching was comparatively more effective in enhancing female&#13;
preservice teachers’ levels of science teaching efficacy. A two-way ANCOVA also&#13;
revealed that age, prior teaching experiences, and their interaction had no statistically&#13;
significant effect on participants’ STEBI-B scores. Additionally, responses from the&#13;
PCPM questionnaire and focus group interviews indicated that participants generally&#13;
perceived both microteaching models as effective in enhancing their science teaching&#13;
efficacy.
A thesis submitted to the School of Graduate Studies in partial&#13;
fulfilment of the requirements for the award of the degree of&#13;
Doctor of Philosophy&#13;
(Science Education)&#13;
Department of Science Education&#13;
Faculty of Science Education&#13;
AUGUST, 2025
</summary>
<dc:date>2025-08-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>Challenges of female student leaders in selected universities in Ghana</title>
<link href="http://41.74.91.244:8080/handle/123456789/5217" rel="alternate"/>
<author>
<name>Ampomah, D.</name>
</author>
<id>http://41.74.91.244:8080/handle/123456789/5217</id>
<updated>2026-05-11T12:07:10Z</updated>
<published>2025-06-01T00:00:00Z</published>
<summary type="text">Challenges of female student leaders in selected universities in Ghana
Ampomah, D.
The study explored the challenges of student leaders who are female in selected&#13;
universities in Ghana. It emphasised how these leaders navigate gender dynamics&#13;
within academic headship roles. Theories that underpinned this investigation&#13;
encompass Role Congruity Theory-exploring biases against womanhood in leadership&#13;
roles; Social Identity Theory-elucidating group-based leadership perceptions; and&#13;
Resilience Theory exploring how female leaders can successfully adapt to challenging&#13;
situations. These were complimented by the interpretivist paradigm. The study&#13;
employed a qualitative approach, utilising a phenomenological design. It included&#13;
four (4) public universities, Kwame Nkrumah University of Science and Technology,&#13;
University of Cape Coast, University of Education, Winneba and University of&#13;
Development Studies using purposive sampling technique to select eighteen (18)&#13;
participants. Instruments, such as focus group discussion and interview guides were&#13;
used. The data were analysed using a thematic approach which involved classifying&#13;
and interpreting recurring patterns and important ideas. It was discovered that some&#13;
participants felt social expectations are in congruence with specific “feminine” roles,&#13;
whereas others saw their gender as motivating factor to break stereotypes. It was also&#13;
revealed that female student leaders are often marginalised when presenting their&#13;
opinions in male dominated environment. There is a beneficial outcome of female&#13;
student‟s leadership in terms of advancement in presentation skills, problem-solving&#13;
skills, and self-confidence. It was concluded that, though the pathway to female&#13;
leadership development were not smooth, their experiences conveyed a deep&#13;
reflection. The study highlighted the need for mentors and teachers to assist female&#13;
learners to identify their capabilities regarding leadership in their explorative stage,&#13;
particularly in early stage of their education. This will motivate them to explore their&#13;
potentials and enhance their leadership skills. In bringing gender stereotype to a&#13;
minimum, universities should incorporate gender sensitisation programmes through&#13;
engagement with the Student‟s Representative Council to promote inclusive&#13;
leadership environments. Series of programmes should be organized by the Dean of&#13;
Student‟s Affairs through seminars in order to equip female students pursuing their&#13;
leadership dreams with skills mandated for leadership in universities.
A thesis submitted to the School of Graduate Studies in partial&#13;
fulfilment of the requirements for the award of the degree of&#13;
Doctor of Philosophy&#13;
(Social Studies Education)&#13;
Department of Social Studies Education&#13;
Faculty of Liberal and Social Studies Education&#13;
JUNE, 2025
</summary>
<dc:date>2025-06-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>A study of the picture making course at UEW and its alignment with Global contemporary Art trends</title>
<link href="http://41.74.91.244:8080/handle/123456789/5179" rel="alternate"/>
<author>
<name>Kumangtum, R.T.</name>
</author>
<id>http://41.74.91.244:8080/handle/123456789/5179</id>
<updated>2026-04-08T11:44:03Z</updated>
<published>2025-06-01T00:00:00Z</published>
<summary type="text">A study of the picture making course at UEW and its alignment with Global contemporary Art trends
Kumangtum, R.T.
The University of Education, Winneba is currently a public university in Ghana with&#13;
the core mandate to train teachers. It holds both the opportunity and responsibility to&#13;
provide excellent teacher preparation for aspiring visual arts educators. Art is&#13;
continually evolving, embracing innovative techniques, materials, and concepts that&#13;
challenge traditional artistic norms. Art practices at UEW do not adequately reflect&#13;
current world practices, because for over a long period, the school has maintained&#13;
teaching almost the same techniques and methods of art, giving students a limited view&#13;
of the art industry. The study adopts a case study design, allowing for a detailed&#13;
examination of the depth of contemporary art practices among Picture Making students&#13;
at the Department of Art Education, UEW. Participants of the study included Picture&#13;
Making Lecturers, alumni and students who had at least completed 300 level of their&#13;
degree programmes. It was realised that the content of the curriculum largely adopts&#13;
the mimetic approach. Some lecturers had however made some efforts at chipping in a&#13;
few contemporary art practices in their teaching instruction. Lecturers cited the&#13;
operational Picture Making component of the accredited Art Education document and&#13;
the Senior High School Visual Art curriculum as the factors that had for a very long&#13;
time limited the Department from adopting contemporary art as an area of study for&#13;
Picture Making. Through a document review of the Picture Making component of the&#13;
Art Education accredited programme, it was observed that the curriculum leaned&#13;
towards mimetic and formalistic theories in art practice. Consequently, the&#13;
contemporary art genre has no place in the curriculum, creating a gap between the&#13;
Picture Making classroom and the contemporary world of art. Student participants had&#13;
very limited knowledge of the contemporary art genre. The findings of this research led&#13;
to the proposal of a four-phased model for Picture Making instruction, and other&#13;
strategies for incorporating contemporary art into the Picture Making course. The&#13;
model combines both traditional and contemporary art methods, bridging the gap&#13;
between the current Picture Making pedagogy and contemporary art practices. It is&#13;
recommended that conceptual thinking, critical analysis, and interdisciplinary&#13;
approaches to art-making should be introduced into Picture Making at UEW to provide&#13;
students with a broader understanding and engagement in contemporary art.
A Thesis in the Department of Music&#13;
Education, School of Creative Arts, submitted to the School of&#13;
Graduate Studies in partial fulfilment&#13;
of the requirements for the award of the degree of&#13;
Doctor of Philosophy&#13;
(Arts and Culture)&#13;
In the University of Education, Winneba
</summary>
<dc:date>2025-06-01T00:00:00Z</dc:date>
</entry>
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